Oscars

 

This year, the Motion Picture Academy of Arts and Sciences (the Academy) nominated twenty actors for Oscars. Of the twenty, none are people of color. The lack of color prompted an Oscar boycott led by Hollywood power couple Jada Pinkett-Smith and Will Smith.

I fully support the efforts of The Smiths and others to not just say something about racism in Hollywood, but to do something about it. But as I looked at various takes the controversy, I realized that one point was missing: Even when actors of color are nominated, they are usually nominated for roles that are racially problematic.

As I have said in this space before, it is not the responsibility of those in film and television to make whites less racist; that is an obligation of the white community. However, because racial segregation still exists in our society, media depictions of non-whites carry more weight than those of their white counterparts. So, I thought it would be interesting to take a look at the history of African American nominees to see not just how many there are, but what types of roles earned nominations.

A few notes before I proceed:

1. What follows is not at all scientific. It is not mathematical. (Being a lawyer, I relate to math the way a snake relates to a mongoose.) However, I did use some (very loose) guidelines.

2. Rather than describe the roles as “positive” or “negative” – thereby subtly falling into the politics of respectability – I chose to characterize each role as one that either reinforces preexisting stereotypes of African Americans as criminal, servile, unintelligent or the like or one that challenges such stereotypes. A role could also be characterized as “both” if some parts of the role reinforced stereotypes while others did not. Some are classified as “no data” because I am not familiar with the film. (As I said, this review is not at all scientific.)

3. Reinforcing does not mean that the character is an awful human being with no redeeming qualities. It simply means that the character falls within accepted stereotypes of African Americans rather than challenging the viewer to reconsider those stereotypes. For instance, Lupita Nyong’o’s Patsy from 12 Years a Slave is a well-written character trying to hold on to her dignity against impossible odds. However, she is still a slave. 

4. Nothing that follows is meant to comment on the actors that took these roles, other than to say that they all gave amazing performances. These people are true magicians, as they so often take roles of straw and spin them into gold, infusing even reinforcing roles with depth, dignity, and humanity.

5. This article focuses on African American actors because that is the pool with the largest population. (The exclusion of other people of color from film and television is a topic that merits separate discussion.)

6. I am sure that as some may dispute my characterizations of these roles.  If you do, please see point #1 above.

 

And now, the nominees are:

Best Actor, Male

Actor

Film

Description

Sidney Poitier

The Defiant Ones

Reinforcing – The character is a fleeing felon.

Sidney Poitier

Lilies of the Field

Reinforcing –The character’s only purpose in the film is to serve a community of white nuns

James Earl Jones

The Great White Hope

No data

Paul Winfield

Sounder

Both – The character is a poor African American tenant farmer and criminal, but a devoted father

Dexter Gordon

Round Midnight

No data

Morgan Freeman

Driving Miss Daisy

Reinforcing.   In fact, this role might be the definition of reinforcing. The character is the embodiment of servility.  

Denzel Washington

Malcolm X

Challenging.   The film provides a portrayal of a charismatic and uncompromising Black Nationalist leader who speaks against racism.

Laurence Fishburne

What’s Love Got to Do With It

Reinforcing – Ike Turner is a drug-addicted rock star who brutally beats and rapes his wife.

Morgan Freeman

The Shawshank Redemption

Reinforcing – He is a criminal in jail until the last few minutes of the film.

Denzel Washington

Hurricane

Reinforcing – Mr. Carter is a brutal boxer and later a criminal. He is wrongly convicted criminal, a criminal nonetheless.  

Denzel Washington

Training Day

Reinforcing – The film shows an utterly corrupt police officer with very few redeeming qualities.

Will Smith

Ali

Challenging –The film shows Ali at a time in his life when he was challenging white supremacy and the Vietnam War.

Jamie Foxx

Ray

Reinforcing – Drug addicted entertainer and womanizer.

Don Cheadle

Hotel Rwanda

No data

Terrance Howard

Hustle & Flow

Reinforcing – D.J. is literally a rapping pimp. This movie provides two stereotypes for the price of one.

Forest Whitaker

Last King of Scotland

Reinforcing – The movie depicts a horrible and brutal dictator.

Will Smith

Pursuit of Happyness

Challenging – The film depicts a single father’s struggle to get himself and his son out of poverty and homelessness.

Morgan Freeman

Invictus

Challenging – The role highlights the great Nelson Mandela – the president of a nation and a great leader for justice.

Denzel Washington

Flight

Reinforcing – The main character is an alcoholic, drug-addicted, womanizing, lying pilot who allows his addictions to endanger his passengers.

Chiwetel Ejiofor

12 Years a Slave

Reinforcing – He is literally a slave, hence the title.

   

 

Best Actor, Female

Actor           

Film                

Description

Dorothy Dandridge

Carmen Jones

Reinforcing – A black temptress ruins a man’s life

Diana Ross

Lady Sings the Blues

Reinforcing – The movie focuses on the life of a drug addicted entertainer

Cicely Tyson

Sounder

Both – The role has some stereotypical elements, but also shows a mother’s great love for her son.

Diann Carroll

Claudine

Reinforcing – Mother on welfare in the 1970s. Attempts to hide things from social workers.

Whoopi Goldberg

The Color Purple

Challenging – Miss Celie “Is poor, black, a woman” and she “may even be ugly,” but she discovers her worth. Through her journey, the viewer is challenged to find her worthy as well.

Angela Bassett

What’s Love Got to Do with It

Challenging – The film focuses on one woman’s triumph over domestic violence and fear.

Halle Berry

Monster’s Ball

Completely Reinforcing – Do I really need to explain why this role was problematic?  

Gabourey Sidibe

Precious

Both – In the film, a young girl awakens to the possibilities of what her life could be.   Still, she is a teenage mother in poverty.

Viola Davis

The Help

Reinforcing – As a maid, she is servile.

Quvenzhane’ Wallis

Beasts of the Southern Wild

No data

   

 

 

 

Best Supporting Actor, Male

 

Actor                Film     Description

Rupert Crosse

The Reivers

No data

Howard Rollins

Ragtime

No data

Louis Gossett, Jr.

An Officer and a Gentleman

Challenging – The role is an African American in a position of authority.

Adolph Caesar

A Soldier’s Story

Challenging – The movie gives a very complex portrayal of a man motivated by racial pride, even if the motivations lead him to cruelty.

Morgan Freeman

Street Smart

Reinforcing.   The character is a pimp

Denzel Washington

Cry Freedom

Challenging – The role focuses on legendary anti-apartheid leader Steven Biko.

Denzel Washington

Glory

Both – A freed slave. So, there is an aspect of servility (especially in the flogging scene). However, he is also a soldier.  

Jaye Davidson

The Crying Game

Challenging – A man portraying a trans-woman.   Groundbreaking at the time.

Samuel L. Jackson

Pulp Fiction

Reinforcing – Jules is a gun-toting, cursing, criminal.

Cuba Gooding

Jerry Maguire

Both – Rod Tidwell is a loud, braggadocious athlete, but also a devoted family man

Michael Clarke Duncan

The Green Mile

Reinforcing – The character is a literal “magic Negro.”

Djimon Honsou

In America

No data

Morgan Freeman

Million Dollar Baby

No data

Jamie Foxx

Collateral

Challenging – Rather than being the criminal, this cab driver is trying to prevent the white protagonist from committing crimes.

Djimon Honsou

Blood Diamond

No data

Eddie Murphy

Dreamgirls

Reinforcing – Yet another drug-addicted entertainer.

Barhad Abdi

Captain Phillips

Both. He’s a pirate – but one portrayed as more than a criminal.

   

 

Best Supporting Actor, Female

 

Hattie McDaniel

Gone with the Wind

Reinforcing.   Her. name. is. Mammy. Do I need to say more?

Ethel Waters

Pinky

No data

Juanita Moore

Imitation of Life

Both. A servant, but develops an organic relationship and friendship with her employer. Also shows her devotion to her own child, as opposed to a white child.

Beah Richards

Guess Who’s Coming to Dinner

Challenging.   A mother who, along with Kathryn Hepburn’s character, attempts to convince the men involved to accept their children’s interracial relationship.

Alfre Woodard

Cross Creek

No data

Margaret Avery

The Color Purple

Challenging – Shug Avery is an entertainer, but she is allowed to be much more in this film.

Oprah Winfrey

The Color Purple

Challenging – Miss Sophia is no one’s fool. Though she is angry, anger is always justified and the movie allows viewers to understand her.

Whoopi Goldberg

Ghost

Reinforcing – A charlatan, and also perhaps a magic negro as she is only there to assist the Swayze character.

Marianne Jean-Baptiste

Secrets & Lies

No data.

Queen Latifah

Chicago

Both.   Rather than a prisoner, she is the prison guard. However, she is also slightly corrupt.

Sophie Okonedo

Hotel Rwanda

No data

Jennifer Hudson

Dreamgirls

Both – Effie is a brash entertainer, but the reasons for brashness are displayed on screen

Ruby Dee

American Gangster

Both – As a mother she benefits from her son’s drug enterprise. However, she tries to persuade him from doing particularly evil deeds.

Viola Davis

Doubt

No data

Taraji P. Henson

The Curious Case of Benjamin Button

Reinforcing – A film shows the character as a mother to a white child, similar to the mammy stereotype.

Mo’Nique

Precious

Completely Reinforcing – If one were to take pretty much every stereotype of black women – criminal, angry, horrible mothers, welfare queens – and put them into one movie character, this would be that character.

Octavia Spencer

The Help

Reinforcing – As a maid Minnie is servile, although with some desire and ability to get back at employers. (Pie, anyone?)

Lupita Nyong’o

12 Years a Slave

Reinforcing – A slave.

   

 

It should come as little surprise that most of the roles do little to challenge racial stereotypes. This disparity matters because as long as American neighborhoods and schools remain racially segregated – and both certainly are – our media will continue to play an important role in telling the white majority what to think about people of color. As long as this reality exists, it would likely be better for the media to produce art that challenges stereotypes.

What should be done?   Cheryl Boone Isscacs, the president of the Academy and a woman of color, recently announced that the Academy will be taking affirmative steps to double its diverse membership. That is a step in the right direction, but it is not nearly enough. There must also be change in the writers’ rooms, in the directors’ chairs, and the C-suites of all Hollywood studios. Perhaps if more people of color were involved in these processes, not only would more stories about African Americans, Asian Americans, and others be told, but more types of stories as well. When that finally happens, no matter who is nominated, we will all be winners.