For decades, AM/FM radio stations in the United States have paid songwriters
As we’ve reported many times, communities across the US are increasingly pushing back against the explosive growth of AI-driven data centers. Major concerns include skyrocketing electricity demand, massive water consumption for cooling, noise pollution from giant fans, loss of prime
Something is moving in Washington.
A recent report suggests that the Trump administration is considering a new executive order on artificial intelligence. On its face, that might sound like more of the same—another round of AI policy chatter promoted by
The MLC, Inc. has to disclose its “highest compensated” employees on its nonprofit Form 990 tax return for 2024. The Copyright Office has spent that last two years reviewing public comments on whether the MLC, Inc. should be renewed
Everybody knows that the boat is leaking, everybody knows that the captain lied….Everybody Knows by Leonard Cohen
We are now well into the next Phonorecords proceeding at the Copyright Royalty Board (CRB) where the government sets mechanical royalty rates for
If you want to understand how the streaming services really view songwriters, look no further than their joint motion to exclude Global Music Rights (GMR) from Phonorecords V. It is not subtle. It is not principled. It is an attempt
Momentum around the American Music Fairness Act is building, and that’s a good thing. When Michael Huppe says artists not being paid for terrestrial radio airplay is “flat out wrong,”
Ronan Farrow and Andrew Marantz investigate Sam Altman’s leadership of OpenAI, based on internal documents and more than 100 interviews. They center on a core tension: Altman has positioned himself as a steward of humanity’s most powerful technology, yet many
