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Greek collecting societies are not entitled to collect equitable remuneration for artists and producers not represented by them by contract or mandate

By Kriton Metaxopoulos of A. & K. Metaxopoulos and Partners Law Firm & Irini Daroussou of A. & K. Metaxopoulos & Partners Law Firm on May 4, 2022
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Introduction

GEA is the Common Collecting Society of GRAMMO (Collecting Society of Music Producers), ERATO (collecting Society of Performers), and APOLLON (Collecting Society of Musicians). It was formed following a state license, in order to collect, among other things, the equitable remuneration provided by article 49 of Law 2121/93 in favour of producers, performers, and musicians for the public performance of legitimately released sound carriers.

Since its establishment, GEA has claimed to be entitled to collect the above equitable remuneration not only for its members (ie, rights holders represented by it) but also on behalf of producers, performers, and musicians who are not represented by it on the basis of a contract or relevant mandate.

The providers of so-called “royalty-free” music (ie, music whose producers, performers, and musicians are not represented or linked to a collective management organisation (CMO)) have strongly opposed to this claim and continued to directly license their music to shops for in-store background music providing a contractual guarantee to their customers (retail shops) that they would not be obliged to pay the article 49 remuneration to GEA or any other CMO.

The matter was brought in the past before the Greek Copyright Organisation (OPI) and the parties following negotiations found a temporary and partial solution. As a result, the royalty-free music providers licensed GEA (through GRAMMO) to collect on their behalf the equitable remuneration of article 49 in relation only to television and radio broadcasts. The direct licensing of in-store music was not covered by the agreement.

Recently, GEA has decided to reactivate its claim over article 49 remuneration claiming, stating that it is entitled to collect it not only for its members and represented rights holders but also on behalf of those who are not its members or represented by it on the basis of a contract or mandate.

GEA has filed proceedings against Dixons on this basis and Dixons, making use of a contractual guarantee in their agreement with their provider of royalty-free music, has summoned the company Play Music (PM) to intervene in these proceedings in its favour.

Facts

PM provides image content and background music management services for shops and professional spaces. From 1 May 2014 onwards, PM has cooperated with the company Navarr Enterprises Inc, based in Florida, United States. Through the online platforms Audiosparx and Radiosparx, Navarr Enterprises has provided PM with programmes from its own repertoire of musical works.

In a private agreement dated 1 April 2011, PM agreed to grant Dixon’s, a retail chain, a licence to use and perform a specific musical repertoire in its shops, including works of Navarr Enterprises. According to PM, the specific musical repertoire in question was not represented by any collective management organisation (CMO) in Greece or abroad and, therefore, no copyrights, related rights, performance rights, or any other rights of third parties were owed.

On 15 June 2020, GEA, a Greek CMO (representing artists and producers) applied to the First-Instance Court of Athens, arguing that the presumption of legitimisation (ie, representative power) provided in its favour by article 7 of Law 448/2017 introduced an extended copyright licence (as opposed to a simple mandatory collective management licence). GEA argued that this gave it the right to collect equitable remuneration for the broadcast of the works under article 49 of the Greek Copyright Law.

Decision

The Court held that the characteristic attribute of the musical repertoire in question was that the rights holders of the related/neighbouring rights had not assigned the collection of their claims relating to the equitable remuneration for public broadcasts in Dixon’s shops to any CMO, or in general to any such organisation in their country of residence.

This was evidenced by:

  • a letter dated 28 July 2021 from the vice president of Navarr Enterprises;
  • an affidavit dated 12 November 2021 of the president of Navarr Enterprises; and
  • an affidavit dated 21 September 2021 of a former employee of PM.

The affidavit of PM’s former employer contained a detailed list of musical works that:

  • had been used by PM in its musical repertoire;
  • were unrelated to the musical works listed in GEA’s injunction application; and
  • did not belong to the so-called “commercial” repertoire of the Greek or international music scene (which is indeed primarily represented by GEA).

The Court recognised that Navarr Enterprises had signed a contract of assignment with a CMO called Grammo – a member of GEA – on 29 January 2019. However, the Court held that while Grammo was entitled to collect remuneration for related rights regarding radio and TV broadcasting of the Navarr Enterprises/PM repertoire, it was not entitled to collect remuneration for their use as background music in shops – this remained Navarr Enterprise’s right.

The Court pointed out that PM and Navarr Enterprises had cooperated on the transfer of digital phonograms to Grammo to facilitate the identification of their musical works during television and radio transmissions. The Court held that this constituted a form of recognition by GEA of the fact that Navarr Enterprises, and therefore PM as well, had the right to conclude contracts for the management of related rights for specific works that were included in their catalogue and transmitted in commercial shops.

Furthermore, it could not be established that any of the musical works listed in GEA’s application, other than the PM/Navarr works, had been transmitted in Dixon’s stores. Indeed, the applicant’s witness did not confirm this before the Court.

As a result of the above, the Court rejected GEA’s application as factually unfounded and ordered GEA to pay the defendants their legal costs under article 176 of the Code of Civil Procedure.

Comment

This is an extremely important decision. The Court rightly held that the presumption of the law is rebuttable and that, as a result, Greek CMOs are not entitled to collect the equitable remuneration on behalf of rights holders that are not represented by them – they are only allowed to do so when such rights holders have specifically assigned their rights to the CMO.

For further information on this topic please contact Kriton Metaxopoulos or Irini Daroussou at A & K Metaxopoulos & Partners Law Firm by telephone (+30 210 725 7614) or email (k.metaxopoulos@metaxopouloslaw.gr or idaroussou@metaxopouloslaw.gr). The A & K Metaxopoulos & Partners Law Firm website can be accessed at www.metaxopouloslaw.gr.

 

This article was originally edited by, and first published on, www.lexology.com. Please click here to view the original publication.

Photo of Kriton Metaxopoulos of A. & K. Metaxopoulos and Partners Law Firm Kriton Metaxopoulos of A. & K. Metaxopoulos and Partners Law Firm

Kriton Metaxopoulos, born in 1962, is a graduate of the Athens University Law School (1984) as well as an LL.M graduate of the London School of Economics (1986). He has been practicing law since 1986 and he is the Managing Partner of “A.

Kriton Metaxopoulos, born in 1962, is a graduate of the Athens University Law School (1984) as well as an LL.M graduate of the London School of Economics (1986). He has been practicing law since 1986 and he is the Managing Partner of “A. & K. Metaxopoulos & Partners Law Firm” since 2000.

His peers recognize him for his experience and expertise in Intellectual Property Law, Patent Law, Corporate Law and Litigation. He is recognized as a leading lawyer in Litigation and Intellectual Property in Legal 500, a leading Individual in TMT and Dispute Resolution by Chambers and an Advisory Board Member in Best Lawyers.

He was a BoD member of Warner Music for almost 20 years and was a member of the Board of Directors of Trans European Law Firms Alliance (TELFA) for 25 years.

Kriton is an expert in IP Law, Copyright Enforcement and Antipiracy issues, as well as in international Corporate Litigation, White Collar Crime and Asset Recovery He has represented for years MPAA, the Greek Audiovisual Anti-Piracy Association (EPOE), Sony, Warner Bros, Disney, Warner Music, Dassault Systemes, Audiorsparx, as well as many major players of the Greek entertainment industry, such as Odeon Cinemas, Victory Media, Kiss FM, Hot FM, Greek Music Libraries, Maria Callas Estate, ZTE etc

Kriton’s “out of Greek borders career” is mainly linked to IP, White Collar Crime and Corporate Fraud prosecution. Kriton is responsible for the coordination and legal strategy of a 150 million Euro international corporate litigation matter, involving legal work in Italy, Lebanon, Romania, UK, France and former Soviet Union and Greece. His experience includes representation before Civil and Penal Courts not only in Greece but also in France, Italy, UK and Romania in cooperation with top tier law firms and local practitioners.

Kriton’s experience in International Arbitration includes representation of an International Catering Group in 20 million USD arbitration (ICC), which resulted in an award against the Greek State (19 million USD) over the privatization of Olympic Airways’ catering subsidiary in the ‘90s.

Connected his name with the first ever in Europe prohibition of legal parallel imports of DvDs (Independence Day) by a 1997 decision of the Athens Court of Injunctions, which was subsequently adopted in 2010 by two ECJ “ad hoc” decisions which are applied until today by local Courts in all EU Member States.

He is also known for his involvement in audiovisual censorship cases (Alexander the Great, Last Temptation of Christ) where he represented in Court the US producers and their Greek distributors, contributing to the free theatrical release of the relevant movies in Greece but also to the establishment of a solid case law in favour of the freedom of “viewing” even if “symbols” or “religions” are the “subject r matter” of the audiovisual work in question.

He is since 2000 leading the niche law firm “A. & K. Metaxopoulos and Partners Law Firm”.

Read more about Kriton Metaxopoulos of A. & K. Metaxopoulos and Partners Law FirmEmail
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Photo of Irini Daroussou of A. & K. Metaxopoulos & Partners Law Firm Irini Daroussou of A. & K. Metaxopoulos & Partners Law Firm

Irini Daroussou was born in Athens and is a partner at “A&K Metaxopoulos Law Firm” since 2008, whereas she joined the law firm as an associate lawyer in 2002. She has been practicing law since 1998, when she was admitted to the Athens…

Irini Daroussou was born in Athens and is a partner at “A&K Metaxopoulos Law Firm” since 2008, whereas she joined the law firm as an associate lawyer in 2002. She has been practicing law since 1998, when she was admitted to the Athens Bar Association. She is a LL.M. Graduate in Intellectual Property Law, Queen Mary and Westfield College, University of London. From the very beginning of her law practice, she focused on the protection of IP rights. She specializes in Copyright Law, Antipiracy, Industrial Law, Commercial and Civil Law, Unfair Competition and IP Litigation.

In 2014 Irini was listed in Best Lawyers in the field of Intellectual and Industrial Property Law. She has been also appraised as an expert in the field of IP, by Legal 500 and IAM Patent. Irini has represented a range of Greek and International clients in the copyright sector, including foreign and Greek film production companies, record labels, radio stations, publishing companies, software design product companies, the Greek collecting society for the protection of audiovisual works etc. She regularly advises entities in the audiovisual, music and publishing area and has a significant experience in drafting copyright and IP licensing agreements.

She has participated in many law conferences, in Greece and abroad. She is a frequent author and contributes to magazines and international publications. Some of her recent articles are: “IP in Greece: Landmark Decision Orders Greek ISPs to Block Internet Access” (CEE Legal Matters, February 2014), “Court Ruling Affects Authors’ Rights In The Media Sector” (Legal Knowledge Portal, October 2013), “Broadcast of Music By Radio To Clients Of Professional Practices On A Non Profit Basis Is Not Public And As A Result Is Royalty Free” (Legal Knowledge Portal, May 2012), “Legal Treatment Of Camcording Under Greek Intellectual Property Law And General Provisions of Civil Law” (Legal Knowledge Portal, May 2012). She speaks fluently English and French.

Read more about Irini Daroussou of A. & K. Metaxopoulos & Partners Law FirmEmailIrini's Linkedin Profile
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  • Posted in:
    Intellectual Property
  • Blog:
    ILN IP Insider
  • Organization:
    International Lawyers Network
  • Article: View Original Source

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