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Can a 3-D Work of Artistic Craftsmanship be Protected by a Copyright?

By Daniel H. Bliss of Howard & Howard on June 1, 2016
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photo-1447758902204-48010b87c24dSuppose that you create a unique three-dimensional display. You find out that your competitor has copied your three-dimensional display. Can you claim that the design of the display is a three-dimensional work of artistic craftsmanship to apply for a copyright registration to enforce against your competitor? The answer may be YES!

Under 17 U.S.C. § 101, “pictorial, graphic, and sculptural works” include three-dimensional works of artistic craftsmanship insofar as their form but not their mechanical or utilitarian aspects. The design of a useful article shall be considered a “pictorial, graphic, and sculptural work” only if, and only to the extent that, such design incorporates pictorial, graphic, or sculptural features that can be identified separately from, and are capable of existing independently of, the utilitarian aspects of the article.

The Supreme Court in Mazer v. Stein, 347 U.S. 201, 100 U.S.P.Q. 325 (1954) held that the successive Acts, the legislative history of the 1909 Copyright Act, and the practice of the Copyright Office united to show that “works of art” and “reproductions of works of art” are terms that were intended by Congress to include authority to copyright statuettes intended primarily for use in the form of lamp bases to be made and sold in a quantity. See also Copyright Office, Compendium II of Copyright Office Practices § 505.03 (1984) (recognizing that a “carving on the back of a chair, or pictorial matter engraved on a glass vase, could be considered for [copyright] registration” on the basis of separability).

For example, the designs on cheerleading uniforms were recently upheld as copyrightable. In Varsity Brands, Inc. vs. Star Atheltica LLC., No. 14-5237 (6th Cir. Aug. 19, 2015), the Sixth Circuit held that “[I]t is well-established that fabric designs are eligible for copyright protection. (citation omitted) We therefore conclude that a pictorial, graphic, or sculptural work’s ‘decorative function’ does not render it unable to ‘be identified separately from,’ or [in]capable of existing independently of, the utilitarian aspects of the article.” Based on this holding, the designs on the cheerleading uniforms created by Varsity Brands were held copyrightable to the extent that they were separated either physically or conceptually from the uniforms and were capable of existing independently.

Further, decorative designs on flooring have been held to be entitled to copyright protection. In Home Legend, LLC v. Mannington Mills, Inc., No. 14-13440 (11th Cir. Apr. 29, 2015), the Eleventh Circuit reversed a grant of summary judgment and held that a two dimensional laminate flooring design was eligible for copyright protection because it reflected sufficient creativity, was severable from the flooring to which it was applied, and was directed at a design.

Let’s assume that the display has walls, columns, and platforms and materials arranged on these walls, columns, and platforms. If a 3-dimensional work of artistic craftsmanship is to be claimed in the design of the display, it has to conceptually separated from the utilitarian aspects of the display. The selection and coordination of elements such as the particular arrangement and visual aesthetic appearance of the materials of the display must be conceptually separable from the structural aspects of the display.

In our example, the design begins by creating technical drawings of the display. The design concept consists of original combinations, positioning, and arrangement of materials on the walls, columns, and platforms. For example, the colors, writing, shapes, and arrangement are created. The artistic judgment of the designers is not constrained by functional considerations concerning how the display would be eventually made. These designs could also be applied to other displays.

The particular visual appearance of the display can have any suitable artistic features that can be imagined separately and independently. Your competitors have a limitless set of alternative designs for the visual aesthetic appearance and arrangement of a display. Certain artistic features are non-functional or could have been designed differently. For example, color, writing, and appearance of the artwork applied to the display could be any appearance such as round, rectangular, etc. As such, there are a limitless set of non-functional artistic appearances of alternative designs.

Based on the above law, we could claim a copyright in the 3-dimensional work of artistic craftsman for the display. The copyright would not be claiming any utilitarian aspects or function in the walls, columns, and platforms. The design of the particular visual aesthetic appearance of the display should be conceptual and artistically original to be copyrightable because it expresses original selection and creative coordination of elements. Further, its separability should make it eligible for copyright registration.

Based on the above scenario, the selection and arrangement of materials in the display is not essential to the use or purpose of the display, is conceptual, and is separable and should be eligible for copyright registration under the Copyright Act Section 101, 17 U.S.C. § 101, as a three-dimensional work of artistic craftsmanship. Once the copyright registration is received, you can sue to stop your competitor from reproducing your copyrighted display and/or to recover damages that have occurred. Therefore, your competitor can be liable for unauthorized reproduction of a copyrighted 3-D work of artistic craftsmanship.

Photo of Daniel H. Bliss of Howard & Howard Daniel H. Bliss of Howard & Howard
Mr. Bliss manages all phases of intellectual property litigation, including case preparation, analysis, and execution. He works with multinational corporations and consortiums in obtaining, managing, evaluating, and licensing intellectual property. His scope of expertise spans a wide range of technology including mechanical, electrical,
…
Mr. Bliss manages all phases of intellectual property litigation, including case preparation, analysis, and execution. He works with multinational corporations and consortiums in obtaining, managing, evaluating, and licensing intellectual property. His scope of expertise spans a wide range of technology including mechanical, electrical, chemical, materials, computer software, and business methods.
Mr. Bliss also focuses on trademark rights. He has experiencemanaging a number of international trademark portfolios and excels in trademark management, protection and prosecution strategies. He has extensive experience in preparing trademark opinions and prosecuting trademark applications in the U.S. He has also handled oppositions and cancellations of trademark applications and registrations in the U.S. Mr. Bliss has international trademark experience and counsels clients on the advantages and disadvantages of foreign registration and on the selection of foreign counsel. He works with foreign counsel regarding search results, prosecuting trademark applications, potential disputes, and all registration matters, ensuring the enforcement of trademark rights after registration.
Mr. Bliss served as an expert on patent law and patent office procedure on several occasions. He testified as an expert on patent law and patent office procedure at trial in connection with Sundance, Inc. and Merlot Tarpaulin & SideKit Mfg. Co., Inc. v. DeMonte Fabricating Ltd. and Quick Draw Tarpaulin Systems, Inc. and Walter DeMonte, Civil Action No. 02-73543, U.S. District Court for the Eastern District of Michigan. He also has experience appearing before the United States Patent and Trademark Office and other various federal courts throughout the United States.
Mr. Bliss prepared and filed over 50 patent applications for an automotive original equipment manufacturer for an electronically-controlled automatic transmission. One of these patent applications produced the patent that won invention of the year in 1990 by the Intellectual Property Organization. He also managed a team of attorneys that prepared and filed over 50 patent applications for a hybrid vehicle for an automotive original equipment manufacturer. Under his leadership, the team obtained the disclosures from a contract supplier, drafted the patent applications and then filed them all on the same day.
Mr. Bliss is a Past President for the Michigan Intellectual Patent Law Association, Past Chair for the Intellectual Property Law Section of the State Bar of Michigan, Past President for Michigan State College of Law Alumni Association, and Past Secretary and Treasurer for the Michigan Technological University Alumni Association. He has served as a director on various boards including corporations, associations, and non-profits.
Mr. Bliss is admitted to practice in Michigan, and before the United States Patent and Trademark Office. He is also admitted to practice before the Eastern and Western Districts for the State of Michigan, the Court of Appeals for the Sixth Circuit, the Court of Appeals for the Federal Circuit, and the U.S. Supreme Court.
For two decades, Mr. Bliss, along with his partner, Gerald E. McGlynn, III, and their associates, have served the global intellectual property community from their firm, Bliss McGlynn, P.C. In July 2013, Bliss McGlynn, P.C. joined the firm of Howard & Howard.
**Not Licensed or Admitted to Practice Law in the State of Nevada
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  • Posted in:
    Intellectual Property
  • Blog:
    ILN IP Insider
  • Organization:
    International Lawyers Network
  • Article: View Original Source

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