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Proving What a China Copyright Registration Covers

By Matthew Dresden on October 31, 2016
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China copyright lawyers

Registering your copyrights in China is an essential part of any IP protection plan. But when you’re trying to enforce your rights, how do you prove what you have registered? A copyright registration certificate merely identifies a creative work by its name and the type of work.

If you have registered a work that is typically identified by name (e.g., a movie, a song, or a book), a copyright registration certificate may be sufficient for a takedown request on e-commerce sites. But if you’ve registered something that is less identifiable by name (e.g., a doll, a graphic design, or a work of art), a certificate alone probably won’t be enough.

Anti-infringement teams are not going to conduct independent research on your products or Google your company. All they care about are government-issued documents showing IP ownership. Consider how straightforward the infringement analysis is when based on a trademark certificate: (1) does the allegedly infringing item bear the mark listed on the certificate, and (2) is the item similar to the goods listed on the certificate? You need to make it that easy when you’re requesting action based on a copyright infringement.

Happily, there is a solution.

What some e-commerce sites request – and what China Customs requires – is an “authenticated search result” for each copyright at issue. This search result, duly stamped by the Copyright Protection Center of China (CPCC), includes both the copyright registration certificate and images of the creative work. You can’t request it until your copyright has been registered, but for certain works — especially works that are easily identified upon visual inspection but not by name — it’s essential.

Photo of Matthew Dresden Matthew Dresden

Matthew advises a wide range of businesses on corporate and transactional matters at Harris Bricken, with an emphasis on media and entertainment, international intellectual property, and cross-border work. Matthew provides finance, development, production, and distribution legal services for filmmakers and other creative artists…

Matthew advises a wide range of businesses on corporate and transactional matters at Harris Bricken, with an emphasis on media and entertainment, international intellectual property, and cross-border work. Matthew provides finance, development, production, and distribution legal services for filmmakers and other creative artists, and has worked on behalf of film studios, cable channels, production companies, video game developers, magazines, restaurants, wineries, international design firms, product manufacturers, outsourcing companies, and computer hardware and software companies. Matthew is widely viewed as an expert in Chinese intellectual property law, and is regularly quoted in publications from the New York Times to The Economist to Variety.

Before attending law school, Matthew worked in Hollywood for eight years as an independent filmmaker, starting as a production executive for Roger Corman’s Concorde-New Horizons Pictures. Before that, he was a computer science graduate student at Stanford University. He has also worked as a journalist, a transportation planner, a food critic, and a website designer. He serves on the board of the Northwest Film Forum, and is currently the immediate past chair of the Washington State Bar Association’s International Practice Section. He is also an adjunct faculty member at Indiana University Maurer School of Law, where he teaches a clinic on legal issues for independent filmmakers.

Matthew was born and raised in the San Francisco Bay Area. He spends his free time watching movies, hiking, cooking spicy food, and relaxing with his wife and daughter.

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  • Posted in:
    Intellectual Property
  • Blog:
    China Law Blog
  • Organization:
    Harris Sliwoski
  • Article: View Original Source

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